Mao's Latest Updates From "AUDIO"
Mar 21st
ELAB Obsession VSTi AU Hybrid DVDR - DELiRiUM
ELAB Obsession VSTi AU Hybrid DVDR - DELiRiUM | PC/MAC | 3.58 GB
With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”.
Sound Burst Northmood v1.0 VSTi DVDR D1-2 -DYNAMiCS
Sound Burst Northmood v1.0 VSTi DVDR D1-2 -DYNAMiCS | PC/MAC | 8.55 GB
Still in love with the sound of the Clavia Nord Modular? Now it can be virtually yours. Sound Burst Northmood is the sample-based player that plays like the original instrument. The best patches have been sampled, note by note, sometimes with several velocities, using world-class audio equipment by Focusrite, RME, BSS, Aphex, Mindprint, Creamwere and Lucid Technologies. The result is just astonishing.
East West Vapor Virtual Synth v 1.0 VSTi.DXi.AU.HYBRiD.DVDR-DELiRiUM
East West Vapor Virtual Synth v 1.0 VSTi DXi AU HYBRiD DVDR - DELiRiUM | PC/MAC | 2.48 GB
The stunning synth sounds in VAPOR vary from instruments to noise beds, but stick with the theme of technology and futurism. VAPOR is the ultimate "idea tool" to add some flavor to any track. All waveforms are "original material", and not some 'knocked off' samples from the latest keyboard to hit the stores.
Vir2 Instruments World Impact Global Percussion VSTi RTAS AU
Vir2 Instruments World Impact Global Percussion VSTi RTAS AU
HYBRID (PC - MAC) | 2 DVDR | Image type: ISO | DVD1: 6.72 GB | DVD2: 6.26 GB (12.99 GB Total)
HYBRID (PC - MAC) | 2 DVDR | Image type: ISO | DVD1: 6.72 GB | DVD2: 6.26 GB (12.99 GB Total)
WORLD IMPACT: Global Percussion. Get ready for a perfect storm of ethnic, world, and cinematic percussion. Featuring a massive collection of varied percussion samples, World Impact spans the globe featuring percussion instruments from large to small, west to east, north to south, and traditional to rare. Sampled in meticulous detail and programmed for maximum and instant musical usability, the collection includes hundreds of varied percussion instruments from Africa, the Middle East, Asia, Australia, and more. A massive 4.2-gigabyte collection of Japanese Taiko drums recorded from multiple microphone positions forms a central part of the library. Each instrument has been recorded with numerous alternate takes and velocity layers, assuring realistic and dramatically expressive sonic results. World Impact is an essential tool in the toolbox of every film composer, movie railer producer, and aficionado of world percussion instruments.
ToonTrack Superior Drummer Custom And Vintage SDX Expansion DVDR HYBRID
The Custom and Vintage SDX is an expansion pack for the award winning Toontrack Music drumsampler Superior Drummer 2.0. It features extensive stick and brush recordings of a unique collection of drums and cymbals. The SDX gives everyone from top producers down, access to the cream of custom and vintage drums, built by craftsmen from the 1920s right up to the exceptional instrument makers of today, like Johnny Craviotto. Most of these highly prized instruments (like a 1920s Ludwig Black Beauty, or Craviotto Timeless Timber) can only be found in the collections of top studio drummers or hired from rental facilities in the major music centres of the world.
Recorded at 2Khz studio in London using an EMI TG Desk used for many legendary recordings of the early seventies including The Beatles Abbey Road and Pink Floyds Dark Side of the Moon. It is considered one of the best sounding desks ever made.
SYSTEM REQUIREMENTS:
Windows Pentium IV or Athlon 1.8GHz with 1GB RAM (multicore CPU with 2GB+ RAM recommended).
Mac OS X 10.4+, Dual G4 1.25GHz with 1GB RAM (multicore CPU with 2GB+ RAM recommended).
12GB free hard disc space, a working Superior Drummer® 2.2.1 installation.
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DVD1
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DVD1
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Part1 Part2 Part3 Part4 Part5 Part6 Part7 Part8 Part9 Part10
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DVD3
Part1 Part2 Part3 Part4 Part5 Part6 Part7 Part8 Part9 Part10
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DVD1
Part1 Part2 Part3 Part4 Part5 Part6 Part7 Part8 Part9 Part10
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DVD2
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Audio Pro International - February 2010
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Audio Pro International - March 2010
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Audio Pro International - January 2010
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TubeOhm.N-Gate.VST.v2.0.READ.NFO-ASSiGN
Problems with the noise floor? The TubeOhm Noise Gate works with two
threshold. First the gate on threshold, second the gate off threshold. This
gives a better contol if the release phase has some spikes.
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TubeOhm.T-Xciter.VST.v2.0.READ.NFO-ASSiGN
Add harmonic overtones to the sound. That gives a better speakDownload Uploading
understanding, a bette voice sound, crisp high frequencys. Two harmonic
generators - deep and high frequencys. Moves the carpet from your boxes.
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Synapse.Audio.Poly-850.DXi.VSTi.v1.1-ASSiGN
The Poly-850 is a VSTi / DXi synthesizer plug-in, which started out as anDownload Uploading
emulation of a vintage synth, but went beyond that by adding a several
improvements and new features over the original.
Additionally, automation and a redesigned user interface with direct access
to every parameter, make it much more user friendly and accessible, than the
original unit.
The concept of the Poly-850 is simple: 2 oscillators, one filter for all
voices, 3 envelopes, a modulation generator and a chorus effect.
What makes the Poly-850 special, is the unique sound of the oscillators,
and the quality of the chorus effect.
As a result, the Poly-850 is particularly great for warm backing sounds and
atmospheric pad sounds, that fit nicely into the background of a mix. However
you'll find all kind of other useful sounds in the preset banks as well.
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Synapse.Audio.X-Poly.VSTi.v1.0.x86.x64-ASSiGN
The X-Poly is a VST / AU synthesizer plug-in, which started out as an
emulation of a vintage synth, but went beyond that by adding many
improvements and new features over the original.
The concept of the X-Poly is based around two oscillators, each containing
four special sub-oscillators spaced one octave apart. Both oscillators can be
blended seamlessly between a square and a sawtooth-type waveform and can be
freely panned in the stereo field. The six-stage envelopes controlling the
amplitudes of the oscillators provide a linear slope for the first five
stages and a semi-logarithmic release for the final stage.
A global filter applied to all voices simultaneously as well as a stereo
noise generator and a sophisticated chorus effect complement the unique sound
of this instrument plugin. As a result, the X-Poly is particularly great for
warm backing sounds, leads and atmospheric pad sounds, that fit nicely into
the mix.
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Synapse.Audio.EKS-9.VSTi.v1.0.x86.x64-ASSiGN
The EKS-9 is a special-purpose VST / AU software synthesizer, designed to
recreate the sound of analog electronic kickdrum sounds - hence the name EKS
(Electronic Kickdrum Synthesizer).
The plugin offers two modes, 808 and 909, each with their own,
characteristic sound. It goes far beyond the capabilities of vintage analog
hardware, however, and introduces new parameters, most importantly it offers
precise control of the pitch. Additionally, despite the fundamentally
different models employed, all parameters apply equally to both the 808 and
909 mode.
The user interface is organized into four sections controlling the pitch,
the amplitude and pitch envelopes, the attack stage and finally pitch
modulation. This layout makes it simple and straightforward to program your
own patches or modify existing ones.
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Subatomic.Labs.Mantis307.VSTi.v1.8.1-ASSiGN
Introducing Mantis307 a fat, mean, and rubbery VST synth that was
influenced by the raucous stylings of classic synths like the tb303, mc202,
nord3, OSCar and juno60. Features killer unison and distortion, as well as
constant time slide (portamento done right!). In addition, 2 oscillators +
subosc per voice, sync, mono and polyphonic modes, keyboard tracking, and 3
envelope curve types. (and much much more!). And with a super low CPU
footprint that lets you layer many mantis sounds without breaking a sweat.
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Expert.Sleepers.Silent.Way.VSTi.v1.5.2-ASSiGN
Silent Way is a suite of plug-ins designed for use as part of a modular
analogue synthesiser system. The plug-ins produce no sound themselves, nor do
they process sound - rather, they generate signals to be used as control
voltages (CVs), which can be patched into the control inputs of oscillators,
filters, VCAs etc. of an analogue system. Also, with the addition of the CV
Input plug-in, it is possible to bring CVs from the synth into the computer,
for recording or processing.
There are currently nine plug-ins in the Silent Way suite - Silent Way DC,
Silent Way LFO, Silent Way Step LFO, Silent Way Quantizer, Silent Way
Trigger, Silent Way CV Input, Silent Way CV To OSC, Silent Way CV To MIDI and
Silent Way Voice Controller. These are described in more detail below. It is
anticipated that more plug-ins will be added to the suite in the future -
watch the website for product announcements.
All plug-ins also feature
* full MIDI and OSC control.
* MIDI/OSC scriptability.
* sample-accurate handling of MIDI note messages.
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MeldaProduction.MTotalBundle.VST.v2.08.x86-ASSiGN
Turn your computer into a professional studio!
MeldaProduction MTotalBundle is the ultimate bundle of currently 38 effects
that will convert your computer into a top-class professional sound studio.
It contains all of our effects covering all required tasks, composing, mixing
and mastering. Free for life updates pay here too, so once you you purchase
it, any effect we release will be free for you! And it takes just a few
clicks using our update system...
The bundle contains traditional plug-ins as well as our revolutionary
technologies, which give you the power to make your recordings sound
incredible even if you didn't spend last 50 years as an audio engineer. High
speed, simplicity, crystal clear sound and minimal noise level is standard
in MeldaProduction.
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Stillwell.Audio.1973.VST.v2.0-ASSiGN
The Neve* 1073 is probably one of the best large-format console channel
modules ever made. Punchy, detailed...it was almost impossible to make it
sound bad...for its time. Let's not debate about large chunks of iron and
wax/paper versus electrolytic caps...let's talk about the sheer genius
involved in picking the proper EQ frequencies, bandwidths, and slopes. THIS
is where 1973 is coming from�cnot an emulation, but a tribute. Taking the
best features and reducing them down to their essence...then making it
utterly transparent and smooth. Dial in some high end. No, more than that...
c'mon, more. What? Are you afraid of that knob or something...GIVE IT A
TWIST, I SAID! Magic. THAT's what separates the men from the boys in EQs
like this...the ability to drop in staggering amounts of smooth, detailed HF
boost without shredding eardrums.
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NuGen.Audio.NuGen.Complete.Master.Edition.VST.02.2010-ASSiGN
Visualizer v1.9.2
If you find your production work can be slow and difficult, imprecise or
arbitrary. Problems are difficult to track down and mixing can become a
strange balance of guesswork and intuition, then you need some better
tools.
SEQ 1 and SEQ 2 Master Edition v1.2.6
The NuGen Audio SEQ series, unlike many digital EQ's, is linear phase.
This means that the phase shift is linear across the frequency spectrum,
resulting in a natural sounding EQ change, and producing minimal phase
artifacts.
Traditional EQ algorithms employ a mathematical technique known as IIR
(Infinite Impulse Response). Whilst this provides low CPU usage and is
relatively simple from a mathematical point of view, there is an important
side effect known as Phase Warping. Digital EQ utilising the classic the
IIR approach distorts the relationship between frequency and phase.
The computational algorithm employed in SEQ1 is based up on FFT (Fast
Fourier Transform Analysis). This is a much more involved process,
involving transformation of the audio data into the frequency domain,
before applying frequency related computations and then transforming back
into the temporal domain. The advantage of this process is that the
frequency and temporal relationship remains intact -- linear phase
transformation. The benefit of this method is that linear phase adjustments
sound clearer, it is possible to create a much more transparent EQ using
this technology. Phase Warping also affects the clarity of transients, as
it causes Phase Smearing. Linear Phase calculations avoid this limitation,
producing a sharper audio image.
Monofilter v3.2.10
Used and trusted by producers the world over, MONOFILTER grabs hold of
your bass and secures it solidly within your mix. Intuitive controls allow
you to quickly anchor the power, whilst retaining the essential character
and perceived spatial characteristics.
MONOFILTER brings back the centre of your bass, so easily lost through
stereo effects processing, synth sound generation, unwanted phase
inconsistencies and live recording mic. bleed. Our market leading features
now give you clear control over stereo spread, transition and phase
alignment, and the unique WYSIWYG interface gives you clear and exacting
visual feedback.
Stereoizer v3.0.5
Stereoizer is a high-specification stereo image manipulation tool
suitable for natural expansion, reduction and introduction of stereo width
at any stage of the audio production process.
Developed for and tested by professional audio engineers, Stereoizer adds
natural sounding width and depth to any audio recording, mono or stereo,
leaving the inherent character of the original source intact. Quite simply
Stereoizer will make your audio more coherent, highly polished and
spatially balanced without adding artificial reverberation, chorusing or
delay.
Stereoplacer v2.4.3
Adjust the position of percussion sounds in a stereo loop, or add stereo
positioning to mono samples, placing frequencies exactly where you want
them. Stereoplacer gives you control that is simply not available within a
traditional mix setup.
Stereoplacer is a fine-tune parametric EQ with the addition of stereo
positioning controls. This allows you to tune each band into specific
frequencies and move the frequency content around in the stereo sound
stage. You can also apply different amounts of cut and boost to the Left
and Right channels, or allow Stereoplacer to keep the balance of the
original sounds while you choose the position.
Also, we included :
Line-up v2.2.4
Line-up is a delay unit, specifically designed to allow rapid and simple
sample-accurate delays to be set-up with minimum CPU overhead and screen
imprint.
Delay time automatically steps through powers of two to allow rapid
dial-in of frequently required numbers. Double-click allows direct
numerical entry and holding down shift whilst click-dragging steps through
in single samples.
Although primarily intended as a line up tool for misaligned tracks (no
host PDC, phase re-alignment, long mic/speaker recording delay, etc.),
Line-up can also be used as a send effect to create very precise chorus,
phase and doubling effects.
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Stillwell.Audio.Bad.Buss.Mojo.VST.v2.0-ASSiGN
How to describe this? Well, I guess we'll just settle for this: sometimes digital is just TOO perfect. I'm not going to say "sterile" or "lacking soul", because I'd wind up eating my words sooner or later...but sometimes you just want a little grit...a little dirt...a little imperfection. That's where Bad Buss Mojo comes in. Bad Buss Mojo allows you to dial in specific tweaks to a virtual mix buss amplifier. Is the + rail a little low? Dial it in...PSU not quite as stiff as it could be? Dial in a bit of knee in the bend. Old-school transistors or even tubes? Dial in some nonlinear modulation. It�fll go from "I can't hear that you've done anything, but I like it" all the way up to "Why did you run my mix through a guitar amp?" Highly recommended (the plugin, not running your mix through a guitar amp...) Download Uploading
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Stillwell.Audio.Bombardier.VST.v2.0-ASSiGN
Bombardier is our most ambitious project to date -- a premium quality buss
compressor, tailored for smooth and musical processing of complex audio such
as drum groups, vocal stems and your full stereo mix, lending a controllable
sense of weight, fluidity and cohesion.
Bombardier gives a nod to the non-linear and frequency-variant subtleties
of a wide range of Grade-A hardware buss compressors, and should you wish
these can be pushed almost into the realms of a character compressor.
Due to its RMS compression engine (and unlike The Rocket, which uses peak
compression), Bombardier is ideally suited to final mixdown and mastering
usage, as well as for those who like to set up buss dynamics first and then
mix 'into' the buss compressor.
Bombardier's party piece is the new and unique 'bomb' processing algorithm
which, when selected, gives attack and release settings that are effectively
instantaneous while yielding exceptionally smooth gain reduction. Bomb mode
is sure to become a firm favourite with mastering engineers the world over,
but can also give extremely satisfying results in single track and buss
applications.
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